Lanzmann, in my case, is primarily the director of Shoah discovered on television long ago and never forgot. J I saw Why Israel in his presence at the Institut Lumière February 9, 2010. This documentary is essential to better understand what that can represent Israel to the settlers, I am not saying that makes any excuse, to choose one side over another but it has opened avenues that I did not know. In short I left the meeting more peaceful, more whole and less silly.
The publication of his memoirs would interest me, so reading. I found the passion behind this intellectual passion of men and life. I found the words he chooses carefully measuring his words, his speech. I also found a man who hates to be disappointed and do not forget the mistakes, I think the fate that Cousteau reserve in a few pages ...
History: resistance in Berlin during the Cold War, North Korea, China, Algeria, Israel.
Men: Fanon, de Beauvoir, Sartre and many women ... ...
Lanzmann embraces the century and we can relive over his compelling story of unforgettable moments, be it the genesis of the two films mentioned above or the passion Korean beautifully told, this woman, Kim Kum-sun and Hugs and kisses from this crazy end August 68 in North Korea.
Lanzmann is a singular being, it seems to be the exact fold of History, where it moves and changes direction. There is sometimes an annoyance contentment that comes before this, this way to stress his qualities but as and when reading the volume, which was difficult to leave even late at night, the passion of others, the coolness seeping pages turn this annoyance into a smile, that we experience before the child is satisfied with himself, who advanced with pride but also with the astonishment of his prowess that he knew he was not capable. It takes this simplicity to dare to do things, to become that which confronts the events and the fact that work.
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